Tag: ENO
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Opera “too difficult”?
I read Susan Elkin’s piece for The Independent, ‘Why are educationists so afraid of cultural excellence?’ with much nodding of my head. I am particularly passionate about promoting living artists in my teaching – right from Year 4 upwards – and also ensuring pupils are engaging with as much music as they can, from a…
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Castor & Pollux – ENO
Well not much to say about hearing Rameau at ENO this evening. Such compelling music, engaging staging and beautiful singing and playing. The second act particularly kept me gripped until the end. Now I’ll be pondering what willed me to listen so intently to this work. The production was rather interestingly conceived; the removal of…
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The Passenger – ENO
Hearing the players in the pit getting ready for a performance at the Coliseum reminds me of the limitless potential of the orchestra. It is a rich sonic palette that remains rich with variety and power. Weinberg’s orchestration in ‘The Passenger’ reminded me of Britten – in its use of solo woodwind lines in colouring…